Viewing the internet sideways through ant swarms reveals that AI platforms encode power by shaping information flows, deciding who collaborates, and what meanings are possible.
Situating music’s political role and describe how digital streaming services shape our identities.
Just as the idea of play, rewards, and positive experience extends beyond the realm of gaming, so should the insights from engaging gamification.
Culture, commodity, copyright, conglomeration, censorship… the creative industries: a literature review.
It takes 21 hours of travel to arrive at the reception hut of our campsite. I had just started the first day of a 3-month field study across Kenya, Uganda, and Tanzania.
Can artists struggle against the systems they serve? Dope Saint Jude: A case-study of hip hop’s activist potential in queer Africa.
Using sound to challenge the Western essential form of knowledge and force a thoughtful consideration of non-lexical, experiential knowledge-types.
Localizing global flows through musical listening: 31 in-depth interviews across rural and urban Kenya, Tanzania, and Uganda
After I returned from my year abroad, my department at McGill asked to do a promo interview here, which I’m recreating in this journal.
Relating musical temporal and tonal structures across cultures: explore the differences between them and their points of connection.
